Pibare Rama Rasam | Sadasiva Brahmendra | Sooryagayathri

The goal of human life is to realize the divine within us. This is called self-realization, and it is the birthright of every human being. All scriptures, including the Bhagavad Gita, are meant to guide us towards realizing the self. You can achieve this by engaging in proper sadhana with the right guidance, regardless of whether you are a man or a woman, married or unmarried.

Self-inquiry, or Atma Vichara, is considered a direct path to realizing the truth. This was emphasized by Ramana Maharshi, and many individuals have attained truth through this method. One such person is Sadasiva Brahmendra, who lived in the 15th to 16th century near Thiruvenkadu, Tamil Nadu. Originally named Shiva Ramakrishna, he left his home in search of truth and became a disciple of Sri Paramasivendra Saraswati. Under his guidance, he immersed himself in self-inquiry and received profound teachings. Adopting the life of a renunciant, he wandered, often in a trance-like state and dressed minimally. Described as deeply absorbed in meditation, he was said to be in a state of supreme intoxication.

Throughout his life, Sadasiva was associated with numerous miracles. His final resting place, his jiva samadhi, is briefly mentioned in ‘Autobiography of a Yogi’, Chapter 41, authored by Paramahamsa Yogananda.

Sadasiva Brahmendra composed many Carnatic compositions to share the advaita philosophy with ordinary people. These songs are renowned for their profound meaning and concise expression. His compositions are widely cherished and frequently performed in Carnatic music concerts. One such composition is ‘Pibare Rama Rasam’. The lyrics were written by Sadasiva Brahmendra and the music was composed by Balamurali Krishna.

The song encourages us to drink the essence or Rasa of Rama. This essence is powerful enough to cleanse our sins and grief, protect us, help us break the cycle of birth and death, and attain self-realization and liberation. The song also conveys that great rishis like Shuka, Shaunaka, and Kaushika have consumed this essence of Rama.

I love the version sung by Sooryagayathri. I discovered this song through her, as she released it on the day before Rama Navami in 2022. I sent a superchat during the live premiere, and she responded to it.

(Since the playback on other websites has been disabled, click on the link to watch this on Youtube. I recommend Sooryagayathri team to change this setting because allowing playback on other websites have a lot of advantages. )

Here are the lyrics and word-to-word translation. Credits: Suja Music, a blogger on WordPress.Note: It is common to sing only lines 1,3 and 5.

पिबरे राम रसं रसने पिबरे राम रसम्
दूरीकृत पातक  संसर्गं पूरित नानाविध फल वर्गम्
जनन मरण भय शोक विदूरं सकल शास्त्र निगमागम सारम्
परिपालित सरसिज गर्भाण्डं  परम पवित्री कृत पाषाण्डम्
शुद्ध परमहम्स आश्रम / आश्रित गीतं शुक शौनक कौशिक मुख पीतम्

Transliteration

pibarE rAma rasam rasanE pibarE rAmarasam
dUrIkrta pAtaka samsargam pUrita nAnAvidha phala vargam
janana maraNa bhaya shOka vidUram sakala shAstra nigamAgama sAram
paripAlita sarasija garbhANDam parama pavitrI krta pAshANDam
shuddha paramahamsa Ashrama gItam shuka shaunaka kaushika mukha pItam

Translation

Drink (verb piban) (implied: absorb) the essence (rasam) of the name of Rama, o tongue (rasana).
It will help you (implied) remove or be distant (doori krta) from association with sin(pAtaka) (or be distant from those who cause you to sin) and you will be fulfilled (poorita) with many kinds (nAnAvidha) and types (varga) of rewards/gains (phala).

It will help you be far removed (vidUram) from the grief (shOka) of the cycle of birth and death (jananamaraNa), it is the essence (sAram) of all (sakala) the religious treatises (shAstra), the Vedas (nigama) and sciences (Agama).

It protects (paripAlita) all creation. Brahma was born of a lotus (sarasija) from a golden egg (garbha anda, womb & egg) and then he created the whole universe. So this phrase implies that Rama nama protects the whole universe.  It will purify (pavitrI) even the most (parama) impious or heretic (pAshANDam).

It is the pure (shuddha) song (gItam) that paramahamsa (signature of poet) has taken refuge in (Ashrama/Ashrita), it is the same which has been drunk (pItam) sages like Shuka, Shaunaka and Kaushika.

Sooryagayathri Singing Swagatham Krishna By Oothukkadu Venkata Kavi

On March 27th, 2022, Sooryagayathri performed a live program from Shankaralayam Mumbai for the Makaram festival. I watched this live program from the Sankarankovil Sankaranayinar temple near Tirunelveli, where the deity is a combination of Lord Shiva and Vishnu.

As I watched the live program with my headphones, I went to the bus stop to catch a bus to Srivilliputhur Andal temple, a place I had never visited before.

While waiting at the bus stop, I commented in the live chat, saying, “I am waiting for the ‘velava velava’ song.” I enjoy this song because it mentions my name, and I love it when Sooryagayathri sings it. However, she began singing ‘Vishamakara Kannan’. Her expressions during the song were even more captivating than the version she released on YouTube.

As I boarded the bus to Srivilliputhur, I continued watching, and the live program ended exactly when I arrived in Srivilliputhur.

One of the songs she sang during this time was ‘Swagatham Krishna’. This song was written by Oothukkadu Venkata Subba Iyer, a legendary figure in Carnatic music who has composed over 500 songs in Sanskrit and Tamil.

The ‘Swagatham Krishna’ song serves three purposes:
1) It welcomes Krishna.
2) It expresses surrender to Krishna.
3) It praises the qualities and deeds of Lord Krishna.

Listen to Sooryagayathri singing ‘Swagatham Krishna’ with her golden voice. You can find the lyrics and their meaning below the video:

Swagatham Krishna by Oothukkadu Venkata Subba Iyer

Lyrics and Meaning:

Translated by

P.R.Ramachander

Pallavi

swaagatam krishha saranaagatam krishnaa
madhuraapuri sadanaa mridu vadanaa madhusoodana iha

Anupallavi

Boga Thaptha sulabha supushpa gandha kalapa,
Kasthuri thilaka mahitha mama kantha nanda gopa Kandha

Charanam

Mushtikasura Chanoora malla , Madhu soodhana , Kuvalayapeeda,
Mardhana, Kalinga narthana , Gokula Rakshana , Sakala sulakshana,
Deva sishta jana pala , Sankalpa kalpa , kalpa satha koti samprabhava,
Dheera , Muni jana vihara . Madana sukumara , Daithya samhara, deva,
Madhura madhura rathi sahasa , sahasa Vruja yuvathi jana manasa poojitha.

English translation

Pallavi

Welcome to you Krishna, Surrender to you Krishna
He who lived in Mathura, He who has a tender face, He who killed Madhu

Anupallavi

He who is hot with passion, he who is easy to get, He who is like a flower,
He who applies sandal paste, He who puts musk Thilaka,
He who is honoured, He who is my lord and baby son of Nanda Gopa.

Charanam

Killer of Madhu, wrestlers Mushtika and Chanoora and elephant Kuvalayapita,
He who danced on Kaalinga, He who saved Gokula, He who has all good signs,
H who looked after devas and good people, He who created time just by thought,
He who is powerful in hundred crores of eons, He who is brave,
He who lived with sages, He who is pretty God of love, He who killed Asuras,
He who is sweet to devas, He who is bold in sweet passionate acts,
He who is worshipped in the minds of maidens of Brindavan.

The Legend of Parayakkadavu | Amritapuri Ashram | Amma (Mata Amritanandamayi)

In my recent post, “Amritapuri – A Homeless Guy’s Visit To A Hidden Oasis,” I mentioned that I would keep you posted about my experiences in Amritapuri. I have many stories to share about my experiences there, but I will reserve them for a post I will make in the near future. First, I want to talk about a legend about Parayakkadavu, where Amma’s ashram is located.

Parayakkadavu in Kerala can be compared to Thiruvannamalai in Tamil Nadu. When Amma’s father, Sugunanandhan, was picking cashew fruits with his friend as a 14-year-old boy, a sadhu visited the village. He told them, “Many wise men and sages have lived in this area, and their samadhis are buried here. Many people will come to this place in the future and attain Mukthi. This will become a holy place.”

Before I narrate the myth about Shiva, Parvathi, and their son Subrahmanya or Shanmukha, which is believed to have happened here, I’d like to discuss legends in general. 

It is said in the Rig Veda, “ekam sat viprah bahudha vadanti,” which means “God or Truth is one, but wise people call It by many names.” God is described in our scriptures as avyakta, which means “beyond being a person or personality.” God is the very essence of everything.

Let’s examine a verse from the Bhagavad Gita, Chapter 2, Verse 16:

नासतो विद्यते भावो नाभावो विद्यते सत: |

उभयोरपि दृष्टोऽन्तस्त्वनयोस्तत्त्वदर्शिभि: || 16||

nāsato vidyate bhāvo nābhāvo vidyate sataḥ

ubhayorapi dṛiṣhṭo ’nta stvanayos tattva-darśhibhiḥ.

Simply put, this means that the seers of Truth have observed and concluded that which exists (Truth, sat or Brahman) doesn’t have non-existence, and the unreal (the Maya, which really doesn’t exist apart from Brahman) doesn’t have any existence. They reached this understanding after studying the nature of both.

The word ‘sat’ is a singular noun. From this sloka, we can learn that nothing exists apart from God. You can realize the God within you by purifying your mind and doing sadhana and self-inquiry.

When I was young, I used to think that Shiva, Parvathi, Murugan, and Ganapathy are probably sitting together and chatting right now. I used to wonder why there are no new updates because, all these stories usually begin with, ‘Long time ago’.

Well, that is not really the case. We access the divine through different forms, based on both the individual and the situation.

For example, I have felt the grace of Hanuman multiple times. I have received many signs giving me convincing personal evidence. If you want to take a quick leap from an extremely bad situation to an extremely good situation, pray to Lord Hanuman. Because Hanuman was the one who constructed a bridge for Rama to take a leap from one piece of land to another piece of land that lies on the other side of the sea.

Assume that the eternal Brahman that is ‘everywhere and as everything’ has assumed this form. Go to a Hanuman temple and chant Hanuman Chalisa every day with trust and love. Offer something to Hanuman, donate some small amount to the temple if possible, and take the prasad. 

It will work. It worked for me. It worked for Sooryagayathri. It  has worked for countless devotees who have prayed to Hanuman.  I am still writing a post explaining the whole story about it as I still have to work on it. Not even 50% of the post is complete but I will complete it as soon as possible. I made a video on my Youtube channel as an announcement that I will make a post about the existence of God, particularly about the grace of Lord Hanuman.

Grace works slowly in the beginning. But as you keep progressing in devotion and the spiritual path in general, your heart opens up, and grace becomes much more accessible.

Legends or myths are usually modified versions of real stories, and they may sometimes even serve a personal purpose of yours. Suddenly you may get a spark or idea after getting to know a myth. There are many lessons that Ramayana and Mahabharata teach us.

The myth from Parayakkadavu served me a personal purpose. It gave me an assurance that what I am doing is right. It is a clear message from the divine. In fact, many miracles have already happened in this area based on this myth, which I will also cover in this post.

Now, let us delve into the myth. Shall we?

One day, Lord Murugan, also known as Subrahmanya, the son of Shiva, made a mistake, and Shiva became very angry. He cursed Murugan to be born as a whale. Parvathi became very sad and pleaded with Shiva to forgive him. However, Shiva, still consumed by anger, cursed Parvathi to be born as a daughter of a fisherman. Then, following the pattern seen in many myths, after their anger subsided, he offered a remedy for the curse. Shiva said, “Okay, don’t worry. I will come and save you both later.”

Let me share something humorous. It’s no wonder why Murugan became a whale. Native English speakers pronounce the ‘w’ with rounded lips. But we Indians usually pronounce it as we pronounce the letter ‘v’’ when it occurs in words. Murugan always holds a ‘Vel’ in his hands anyway. Vel means spear in Tamil and it is pronounced just like whale but with a ‘v’ sound in the beginning. Murugan is already called by different names like ‘Sakthivel’, ‘Kandhavel”, “Jnanavel”, etc. We could even write Sakthivel as Sakthiwhale now (as we now know the story), because we Indians don’t differentiate between ‘W’ and ‘V’ anyway.

The story is quite lengthy. Therefore, rather than rewriting the entire narrative, I’ll copy and paste the excerpt from the book, “Mata Amritanandamayi: Life & Experiences of Devotees” by Swami Amritaswarupananda (published by Mata Amritanandamayi Mission Trust). The excerpt will be in italics, and my comments afterward will be in normal font.

In the Alappad Panchayat1, district of Kollam, Kerala state, South India, there is a small village named Parayakadavu. This village lies amidst an endless expanse of coconut palms stretching along a narrow peninsula separated from the mainland to the east by an intercoastal waterway, while the western shore of the village is buffeted by the sparkling blue-green Arabian Sea.

The people of the village belong to a humble clan of fishermen who proudly trace their ancestry as far back as the sage Parasara. It is sage Parasara who married the fishermaid Satyavati, mother of Sri Veda Vyasa, the renowned codifier of the Vedas. There are many legends told about the sanctity and greatness of this village where daily life and social custom are still closely associated with divine myths, stories which the villagers strongly believe took place thousands of years ago. One such legend is as follows: Once Lord Subramanya2, son of Lord Shiva and Goddess Parvati, committed a serious error. Infuriated by the transgression of His son, Lord Shiva cursed Subramanya, causing him to be born as a fish. Dejected by the fate of her son, Parvati requested the Lord to forgive Subramanya’s fault. Instead of consoling Her, Shiva became more angry and condemned Parvati as well to be born as a fisherwoman. Later when Lord Shiva’s anger had subsided, He told Subramanya that He Himself would come and liberate both of them at the appropriate time and thus blessed them. In accordance with Lord Shiva’s curse, Lord Subramanya assumed the form of a fish, rather, of a huge whale. Appearing in the sea of Alappad, the whale caused the fishermen terrible harm. Accustomed to fishing both during the day and night, the fishermen could now no longer venture into the seas. Sometimes the whale tore the cast nets of the fishermen to shreds, and at others it overturned their boats, endangering their very lives. The villagers were doomed to poverty and starvation.

The king of the fishermen failed to find a solution. His treasury was becoming bankrupt, as he was feeding the starving people. Finally, in an attempt to solve the problem, he made a proclamation: the person who could catch the troublesome whale would be richly rewarded, and would also be given the hand of the king’s beautiful daughter in marriage. Yet the huge whale was so fearsome that nobody came forth to accept the challenge. The king and his subjects were completely disheartened, when an old man mysteriously appeared from the north. Nobody knew who he was. Approaching the king, his back bowed with age, he boldly declared that he could catch the huge whale and save the people from complete devastation.

Accompanied by the astonished king and his subjects, the old man walked confidently toward the sea. Making a long rope by twisting long strands of vines, the old man threw one end into the sea while holding the other end tightly in his hand. The rope of vines encircled the place where the huge whale was lying submerged. Passing the rope to the fishermen, he instructed them to pull with all their strength while chanting a particular mantra. As instructed by the old man, the fishermen started pulling the rope while chanting the mantra. After hours of tremendous effort, the giant fish, entrapped in the vine rope, was dragged to the shore.

Suddenly, to everyone’s amazement, the whale vanished, and in its place stood Lord Subramanya, released by Lord Shiva from the curse. A temple for Lord Subramanya was built on the spot where the giant fish had been shored. That temple stands today as a living monument to remind us of the old story.

The legend does not end there. Now Lord Shiva, in the guise of the old man, stepped forward and stood before the king, demanding the reward of the hand of the princess in marriage. The king, who had promised his only daughter to the champion who saved his people, was now trapped in a dilemma. He and his subjects were completely distraught. How could a father, especially as king, give his exquisite young daughter in marriage to an old man? The king begged him to ask for anything in the entire kingdom but his daughter. The old man calmly replied that a king must keep his promise and be truthful to his word.

Now the king was in a real quandary. Truth was the strength of the fishermen; they firmly believed that truth was their protector. If one were not truthful, they said, one who went fishing was jumping into the wide-open, fierce mouth of death. The king was paralysed; he could neither break his vow nor give his beloved princess in marriage to the old man. At this point, the princess, who was in fact Goddess Parvati Herself, stepped forward and spoke without hesitation: “Father and most noble king, it is everyone’s duty to protect and preserve righteousness (dharma). Nothing should stand against it.” Despondent, the king had no choice but to allow her to depart with the old man. No one suspected that the humble fishing kingdom had become the stage for a divine drama in which Lord Shiva and Goddess Parvati had been reunited. With heavy hearts, the people followed the divine couple for some distance asking, “Where are you going? We would like to come with you.” They replied, “We don’t have any particular dwelling place (uru); the spot we reach will be our dwelling place (chellunna uru).”

Lord Shiva and Goddess Parvati continued on their way, followed by the fisherfolk, finally reaching a spot where they stopped. As Lord Shiva stood facing east and Goddess Parvati faced west, the two became transformed into stone images. Chelluruna uru (the place reached) later became Chenganoor of the present day.

In time a temple was constructed and daily worship was begun, when something very strange occurred. Whenever water was brought to the sanctum sanctorum to perform the worship, the priests found a fish in it. This made the performance of the daily worship impossible. In order to find a solution, the temple authorities made an astrological calculation and discovered the whole story of Lord Shiva, Goddess Parvati, and the curse of Lord Subramanya. The astrological forecast further revealed that the marriage ceremonies of the old man and the princess had never been conducted. According to the custom, the people of the Alappad coast, where Goddess Parvati had been born as a fishermaid, should come with dowry and other marriage presentations to Chenganoor in order to conduct the marriage. Subsequently the necessary preparations were made in Chenganoor and Alappad. The villagers of Alappad duly assembled the paraphernalia and travelled to Chenganoor to conduct the divine marriage ceremony. To this day, every year during the festival season, this custom is followed in memory of the ancient legend. The temple still remains a centre of attraction to thousands of devotees.

A few decades ago an interesting incident took place in connection with this story. One year the people from the Alappad coast did not participate in the festival by observing the customary rules and preparation, thinking it meaningless and wasteful to spend a lot of money to travel all the way to Chenganoor. They thought, “Why should we cooperate in a festival which is conducted in a distant place?” Mysterious happenings immediately took place in the Chenganoor temple.

The decorated elephant that was to carry the Lord’s idol in the procession stood still, refusing to take even a step. All efforts to make it move failed. Word was immediately sent to Alappad of this inauspicious occurrence, but too late. Smallpox had already broken out there. Realizing their foolish mistake and with deep remorse, the villagers made their way to Chenganoor without delay, bringing all the preparations for contributing to the festival according to the custom. Such is the ancient lore that is intimately interwoven with this coastal landscape and its people. Is it a wonder then that this sacred place has again become centre stage for a divine drama?
******

1 An alliance of five villages, the governing body overseeing local affairs.

2 Another name for Sri Muruga, the brother of Sri Ganesh

I trust you found the excerpt enjoyable. The memories of my time in Amritapuri remain etched in my heart, never to be forgotten. Allow me to extend my deepest gratitude, love, and prayers to Amma for her boundless grace and blessings.

Amritapuri – A Homeless Guy’s Visit To A Hidden Oasis

Hello readers,

I am in Amritapuri Ashram in Kerala and I want to share my experiences so far.

I arrived here on April 5th. They usually provide accommodation for only two or three days. It costs Rs. 50 per day in a dormitory. The food is free for the first three days, and then it is Rs. 100 per day. I booked accommodation for five days. The person in the accommodation office asked, “Why so long?” I explained that I want to seek approval for permanent or long-term accommodation from Amma (Mata Amritanandamayi) and for now, I want to immerse myself in ashram activities, do seva, listen to bhajans, etc.

This is an amazing place. I witnessed the embodiment of love and compassion on the very first day. I can perceive the genuineness in Amma’s teachings, her smile, her carefully chosen bhajans, which are either about bhakti or jnana, the satsangs by her disciples, and the darshan, the most important part.

When I approached her, she hugged me, whispered “amma kuttu” a few times in my ears, and gave me a candy. I expressed my interest in spirituality and wanting to permanently stay here. She smiled and asked, “You? Interested in spirituality?” I affirmed, explaining my divorced status and lack of other commitments. She chuckled and asked, “So you also left your wife?” She spoke very good Tamil. I then shared that I had been practicing sakshi bhavana meditation for many years, that I am homeless, and I really want to live here. She acknowledged my meditation practice and invited me to sit with a few devotees.

I anticipated she would discuss something with me after the darshan. She usually gives darshan until everyone who came to see her has had their chance. That day, it lasted until 12:30 am midnight. I’ve read that Amma has continuously given darshan for 20 hours, involving speaking, hugging, whispering in ears, and giving candy.

Since she didn’t express approval, I wondered what to do next. I learned that once you’ve had a darshan, you can have the next one only after 30 days.

Now, I intend to extend the accommodation for the next 30 days just to have another darshan and seek her approval. I have nowhere else to go, and I am deeply impressed to have discovered this hidden oasis,  a place where you can find a genuine guru in Amma.

I conversed with many Western devotees here, and they shared interesting stories. My sandals broke on the first day, and a guy from the US directed me to the Indian supermarket. After darshan, I spoke with a guy from Denmark who was also new here. In a coffee shop near the beach, I conversed with a young French lady who shared her story.

The next morning, I mistook a young Brahmacharini called Chandrika from the US for the French lady and asked her if she was her. She smiled and clarified, and we continued walking and talking. She imparted wisdom, saying, “Many people want to come to Amritapuri, but they keep delaying it. But some people accidentally end up here and find the home they were searching for. Unless you have the grace of Amma, you can’t come here!”

In an Indian cafe, I met an Italian lady who inquired if Amma said anything regarding my accommodation issue. When I said “no,” she burst into uncontrollable laughter, explaining that even Amma didn’t say anything, yet people here are quick to offer advice upon hearing others’ problems.

I resonate with the quote “Vasudhaiva Kutumbakam” from the Maha Upanishad, meaning “the world is one family.” Amritapuri embodies this quote by accommodating people from different countries in one place.

There is also a Kali temple, the house where Amma lived, and an elephant called Lakshmi in the ashram campus. I will delve into more detail about them in a separate article.

Every day brings surprises here, and the village is a beautiful coastal one. I definitely want to live here and engage in seva for as long as possible, maybe for a year or two until life presents another task.

I have some money left to cover one month’s accommodation and food, which is about Rs. 4500 if calculated. But I am unsure if they will extend the stay. If not, I’ll have to stay in lodges and eat outside until May 5th, which will be expensive.

I am now convinced that meeting Amma and learning more about her is part of my prarabdha. It has been a blessing.

For now, as long as I can stay in the ashram, I don’t need immediate financial assistance. However, I’m unsure about what will happen next. Nevertheless, I am in a total state of surrender regarding that.

I have been here for four days now, and I could write a book about what I’ve seen, heard, and experienced. I believe this is a new chapter in my life.

Finally, I want to emphasize that when you meet someone genuinely at a saintly level, you can easily recognize the fake ones. I will keep you updated about my experiences in the upcoming posts.

Who is Sooryagayathri – An Introduction

(This post is a combination of two answers I wrote on Quora, addressing questions about who Sooryagayathri is and how her talents can be compared to those of great singers like M.S. Subbulakshmi.)

Sooryagayathri is a young devotional singer from a small village called Purameri, near Vadakkara, Kerala. She is known for her divine voice.

When she was very young, she sang Hanuman Chalisa which attracted so many devotees and fans of carnatic music. Since then, she has been doing concerts around the world.

Apart from singing, she also has the ability to compose music. Her mom is a wonderful poetess and her dad is a Mridangam artist. Her family works in which she sings the songs written by her mother are very popular. She composed music for those songs herself.

Below video is her recent release. This song Shambhu Natanam was written by Patanjali and music was composed by Sooryagayathri herself:

https://youtu.be/aopCCxY2UBA?si=ibMdi7lO8dE5AUaq

Sooryagayathri has millions of fans around the world who see her as a reincarnation of M.S.Subbulakshmi. She also says that her main inspiration is M.S.Subbulakshmi.

She has also sung many songs which were sung by M.S.Subbulakshmi. Sooryagayathri sang ‘Kurai onrum illai’ song when she was very young and you can watch the below video to witness her divine voice and wonderful expressions:

https://youtu.be/dPVXbPamE04?si=1Mq-vgDx0S3i2WVk

Her rendition of Vishnu Sahasranama is addictive. You would want to listen to it again and again. Play the below song in your home every day and you will see a huge difference in the quality of your life

https://youtu.be/CBsW_vXyEdY?si=SUWmYicMU4qav6dm

One of my favourites is “Maithreem Bhajatha”, which was sung by M.S.Subbulakshmi at United Nations and received a standing ovation. Sooryagayathri sang this song along with her guru Kuldeep M Pai, Rahul Vellal and Bhavya Ganapathi.

https://youtu.be/xv3-MoyfUF8?si=-4KSJJnXOCszwcmD

In the following interview, Sooryagayathri acknowledges that M.S.Subbulakhshmi as her main inspiration:

https://youtu.be/aKmZm0CwLjQ?si=dU9l8ypS1BRn8dgi

She practices and hones her skills every day while also composing music. With each passing year, it’s undeniable that Sooryagayathri will ascend to be recognized as the reigning queen of the music world.

Visit the below link to know more about Sooryagayathri:

http://www.sooryagayathri.net

Join this Facebook group to interact with the community of her fans and stay up to date about her concerts and new releases:

https://www.facebook.com/groups/906159627502438/?ref=share

Like and follow this Facebook page dedicated to Sooryagayathri:

https://www.facebook.com/share/RtVPmPRkrWL5Cfeg/?mibextid=qi2Omg

Sankshepa Ramayanam: The Essence of Valmiki’s Epic

Ramayanam, an ancient Indian epic, holds the distinction of being the world’s greatest epic, comprising nearly 24,000 verses scripted by the venerable Maharshi Valmiki. Within this colossal narrative, the inaugural chapter of the first kanda, famously known as the Bala Kanda, unveils a condensed version named Sankshepa-Ramayanam. This abridged retelling encompasses 100 verses, granted a status equivalent to the complete Ramayana, as evidenced by its phalashruti—a testament to its profound significance.

Sankshepa-Ramayanam traces its roots to a pivotal encounter between Narada Muni and Valmiki Maharshi. In this enlightening chapter, Narada Muni imparts a concise account of Rama’s life to Valmiki, subsequently urging the sage to chronicle the epic journey of Rama. This pivotal moment sets the stage for the creation of a literary masterpiece that transcends time and resonates with readers across generations.

The condensed nature of Sankshepa-Ramayanam, encapsulating the essence of the grand Ramayana, makes it an ideal choice for those seeking a succinct yet profound understanding of Rama’s narrative. Its elevated status, reflected in its phalashruti, underscores its importance and influence. This chapter serves as a gateway for individuals to connect with the timeless wisdom and moral teachings embedded in the Ramayana.

Remarkably, the tradition of reciting Sankshepa-Ramayanam endures even in contemporary times. Many households observe the ritual of chanting these 100 verses on a daily or weekly basis, emphasizing the enduring relevance of Rama’s story in people’s lives. The verses serve as a source of inspiration, moral guidance, and spiritual connection for those who engage in this ritual.

A Gift for Every Seeker: Exploring the Timeless Teachings of Bhoothanatha Geetha

Concealed within the ancient Sanskrit tales lies a precious script known as Bhoothanatha Geetha. This brief yet profound text, attributed to Prince Manikanta, unfolds the fundamental ideas of Advaita Vedanta in a conversation with King Rajasekharan.

Back in 2018, I penned a detailed commentary on this book. However, given its length, I’m offering you a condensed introduction.

Simplified Sanskrit:

In contrast to its older counterpart, the Bhagavad Gita, Bhoothanatha Geetha imparts its teachings in simpler Sanskrit, making it accessible to a broader audience. Even with basic knowledge, one can grasp the profound verses. Take, for instance, the opening sloka:

“janma mrtyAdi duhkhAnAm nAzAya mahIpate karmano nAzanam mukhyam tadupAyam nizamyatAm”

Translation: “Oh King, destroying one’s karmas is important for the destruction of the suffering that arises from the cycle of birth and death. You can hear the way for it from me.”

A Conversation about Truth:

Much like the Bhagavad Gita, Bhoothanatha Geetha unfurls through a captivating dialogue. Prince Manikanta, embodying both spiritual wisdom and princely grace, guides King Rajasekharan towards self-realization. Their exchange delves into crucial Advaita Vedanta concepts:

  • The nature of Brahman: The ultimate reality, Brahman, transcends form and attributes. The text beautifully illustrates this using the analogy of gold and ornaments, explaining that just as all ornaments are essentially gold, so too are all names and forms manifestations of the one, indivisible Brahman.
  • Maya’s illusion: This subtle veil of misconception obscures our true nature. Manikanta skillfully dispels this illusion, revealing the “I” and “mine” as mere concepts superimposed on the ever-present Brahman.
  • The path to liberation: Bhoothanatha Geetha emphasizes the importance of a true teacher (satguru) and warns against the pitfalls of mere intellectual pursuits, advocating for sincere devotion and self-inquiry.

Beyond the Similarities:

While drawing inspiration from the Bhagavad Gita, Bhoothanatha Geetha offers unique insights into Siddha wisdom and practical spirituality:

  • Siddha wisdom: Manikanta’s possible connection to the Siddhas shines through in his detailed discussions of tattvas (elements of consciousness) and the purification of the mind.
  • Practical spirituality: Acknowledging worldly responsibilities and desires, the text encourages a balanced approach, urging not to neglect the body but to utilize it as a vehicle for liberation.

A Gift for Every Seeker:

Whether you’re a long time seeker or a curious newcomer, Bhoothanatha Geetha offers a wealth of wisdom. Its simple language, engaging dialogue, and practical guidance make it a valuable resource for those seeking self-realization. Delve into its verses, contemplate its teachings, and embark on your transformative journey towards eternal truth.

Visit this link for a detailed commentary on Bhoothanatha Geetha.