Pibare Rama Rasam | Sadasiva Brahmendra | Sooryagayathri

The goal of human life is to realize the divine within us. This is called self-realization, and it is the birthright of every human being. All scriptures, including the Bhagavad Gita, are meant to guide us towards realizing the self. You can achieve this by engaging in proper sadhana with the right guidance, regardless of whether you are a man or a woman, married or unmarried.

Self-inquiry, or Atma Vichara, is considered a direct path to realizing the truth. This was emphasized by Ramana Maharshi, and many individuals have attained truth through this method. One such person is Sadasiva Brahmendra, who lived in the 15th to 16th century near Thiruvenkadu, Tamil Nadu. Originally named Shiva Ramakrishna, he left his home in search of truth and became a disciple of Sri Paramasivendra Saraswati. Under his guidance, he immersed himself in self-inquiry and received profound teachings. Adopting the life of a renunciant, he wandered, often in a trance-like state and dressed minimally. Described as deeply absorbed in meditation, he was said to be in a state of supreme intoxication.

Throughout his life, Sadasiva was associated with numerous miracles. His final resting place, his jiva samadhi, is briefly mentioned in ‘Autobiography of a Yogi’, Chapter 41, authored by Paramahamsa Yogananda.

Sadasiva Brahmendra composed many Carnatic compositions to share the advaita philosophy with ordinary people. These songs are renowned for their profound meaning and concise expression. His compositions are widely cherished and frequently performed in Carnatic music concerts. One such composition is ‘Pibare Rama Rasam’. The lyrics were written by Sadasiva Brahmendra and the music was composed by Balamurali Krishna.

The song encourages us to drink the essence or Rasa of Rama. This essence is powerful enough to cleanse our sins and grief, protect us, help us break the cycle of birth and death, and attain self-realization and liberation. The song also conveys that great rishis like Shuka, Shaunaka, and Kaushika have consumed this essence of Rama.

I love the version sung by Sooryagayathri. I discovered this song through her, as she released it on the day before Rama Navami in 2022. I sent a superchat during the live premiere, and she responded to it.

(Since the playback on other websites has been disabled, click on the link to watch this on Youtube. I recommend Sooryagayathri team to change this setting because allowing playback on other websites have a lot of advantages. )

Here are the lyrics and word-to-word translation. Credits: Suja Music, a blogger on WordPress.Note: It is common to sing only lines 1,3 and 5.

पिबरे राम रसं रसने पिबरे राम रसम्
दूरीकृत पातक  संसर्गं पूरित नानाविध फल वर्गम्
जनन मरण भय शोक विदूरं सकल शास्त्र निगमागम सारम्
परिपालित सरसिज गर्भाण्डं  परम पवित्री कृत पाषाण्डम्
शुद्ध परमहम्स आश्रम / आश्रित गीतं शुक शौनक कौशिक मुख पीतम्

Transliteration

pibarE rAma rasam rasanE pibarE rAmarasam
dUrIkrta pAtaka samsargam pUrita nAnAvidha phala vargam
janana maraNa bhaya shOka vidUram sakala shAstra nigamAgama sAram
paripAlita sarasija garbhANDam parama pavitrI krta pAshANDam
shuddha paramahamsa Ashrama gItam shuka shaunaka kaushika mukha pItam

Translation

Drink (verb piban) (implied: absorb) the essence (rasam) of the name of Rama, o tongue (rasana).
It will help you (implied) remove or be distant (doori krta) from association with sin(pAtaka) (or be distant from those who cause you to sin) and you will be fulfilled (poorita) with many kinds (nAnAvidha) and types (varga) of rewards/gains (phala).

It will help you be far removed (vidUram) from the grief (shOka) of the cycle of birth and death (jananamaraNa), it is the essence (sAram) of all (sakala) the religious treatises (shAstra), the Vedas (nigama) and sciences (Agama).

It protects (paripAlita) all creation. Brahma was born of a lotus (sarasija) from a golden egg (garbha anda, womb & egg) and then he created the whole universe. So this phrase implies that Rama nama protects the whole universe.  It will purify (pavitrI) even the most (parama) impious or heretic (pAshANDam).

It is the pure (shuddha) song (gItam) that paramahamsa (signature of poet) has taken refuge in (Ashrama/Ashrita), it is the same which has been drunk (pItam) sages like Shuka, Shaunaka and Kaushika.

Shiva Panchakshara Stotram | Nagendra Haaraaya | Sooryagayathri| Lyrics and Meaning

After leaving the holy Parayakadavu village and Amritapuri ashram in Kerala, I decided to take a rest in Karunagappally and make some plans. I went to Padanayarkulangara Mahadeva Temple there, which is a beautiful temple near the KSRTC bus stand.

After learning about the temple’s myth, I realized that my choice to rest there wasn’t a coincidence. Even Lord Krishna had chosen it as a resting place.

The temple’s myth goes like this: Shiva and Krishna were walking along a narrow path. They were tired and reached Karunagappally, which used to be a forest. Krishna was asked to find a good place to rest. He found a nice spot and decided to stay there. After waiting for a long time, Shiva went to look for Krishna. Finally, Shiva found Krishna sitting in a beautiful place and wanted to sit beside him.

The temple was very beautiful. On a board, I saw the Shiva Panchakshara Stotram written in Malayalam. It is a beautiful stotram written by Adi Shankaracharya. I immediately remembered the rendition of this stotram by Soooryagayathri. She sang this when she was very young, and it is very addictive if you listen to it. I love this song very much.

Lyrics and Translation (credits:  Green Message website):

नागेन्द्रहाराय त्रिलोचनाय

भस्माङ्गरागाय महेश्वराय ।

नित्याय शुद्धाय दिगम्बराय

तस्मै न_काराय नमः शिवाय ॥१॥

Naagendra-Haaraaya Tri-Locanaaya

Bhasma-Angga-Raagaaya Mahe[a-Ii]shvaraaya |

Nityaaya Shuddhaaya Dig-Ambaraaya

Tasmai Na_Kaaraaya Namah Shivaaya ||1||

Meaning:

1.1: (Salutations to Lord Shiva) Who has the most excellent of Snakes as His Garland, and Who has Three Eyes,

1.2: Whose Body is Coloured (i.e. Smeared) with Sacred Ashes and Who is the Great Lord,

1.3: Who is Eternal, Who is ever Pure and Who has the Four Directions as His Clothes (signifying that He is ever Free),

1.4: Salutations to that Shiva, Who is represented by syllable “Na”,

The first syllable of the Panchakshara Mantra “Na-Ma-Shi-Va-Ya”.

मन्दाकिनीसलिलचन्दनचर्चिताय

नन्दीश्वरप्रमथनाथमहेश्वराय ।

मन्दारपुष्पबहुपुष्पसुपूजिताय

तस्मै म_काराय नमः शिवाय ॥२॥

Mandaakinii-Salila-Candana-Carcitaaya

Nandi-Iishvara-Pramatha-Naatha-Mahe[a-Ii]shvaraaya |

Mandaara-Pusspa-Bahu-Pusspa-Su-Puujitaaya

Tasmai Ma_Kaaraaya Namah Shivaaya ||2||

Meaning:

2.1: (Salutations to Lord Shiva) Who is Worshipped with Waters of River Mandakini and Smeared with Sandal Paste,

2.2: Who is the Lord of Nandi and of the Ghosts and Goblins; and Who is the Great Lord,

2.3: Who is deeply Worshipped with Mandara (Arka) and many other Flowers,

2.4: Salutations to that Shiva, Who is represented by syllable “Ma”,

The second syllable of the Panchakshara Mantra “Na-Ma-Shi-Va-Ya”.

शिवाय गौरीवदनाब्जवृन्द_

सूर्याय दक्षाध्वरनाशकाय ।

श्रीनीलकण्ठाय वृषध्वजाय

तस्मै शि_काराय नमः शिवाय ॥३॥

Shivaaya Gaurii-Vadana-Abja-Vrnda-

Suuryaaya Dakssa-Adhvara-Naashakaaya |

Shrii-Niila-Kanntthaaya Vrssa-Dhvajaaya

Tasmai Shi_Kaaraaya Namah Shivaaya ||3||

Meaning:

3.1: (Salutations to Lord Shiva) Who is Auspicious and Who is like the Sun causing the Lotus-Face of Gauri (Devi Parvati) to Blossom,

3.2: Who is the Destroyer of the Sacrifice (Yagna) of Daksha (Sacrifice of Daksha),

3.3: Who has a Blue Throat and has a Bull as His Emblem,

3.4: Salutations to that Shiva, Who is represented by syllable “Shi”,

The third syllable of the Panchakshara Mantra “Na-Ma-Shi-Va-Ya”.

वशिष्ठकुम्भोद्भवगौतमार्य_

मूनीन्द्रदेवार्चितशेखराय ।

चन्द्रार्कवैश्वानरलोचनाय

तस्मै व_काराय नमः शिवाय ॥४॥

Vashissttha-Kumbhodbhava-Gautama-Aarya-

Muuni-Indra-Deva-Aarcita-Shekharaaya |

Candra-Aarka-Vaishvaanara-Locanaaya

Tasmai Va_Kaaraaya Namah Shivaaya ||4||

Meaning:

4.1: (Salutations to Lord Shiva) Who is Worshipped by the Best and most Respected Sages like Vashistha, Pot-Born sage Agastya and Gautama …

4.2: … and also by the Devas, and Who is the Crown of the Universe,

4.3: Who has the Moon (Chandra), Sun (Arka) and Fire (Vaisvanara) as His Three Eyes,

4.4: Salutations to that Shiva, Who is represented by syllable “Va”,

The fourth syllable of the Panchakshara Mantra “Na-Ma-Shi-Va-Ya”.

यज्ञस्वरूपाय {यक्षस्वरूपाय} जटाधराय

पिनाकहस्ताय सनातनाय ।

दिव्याय देवाय दिगम्बराय

तस्मै य_काराय नमः शिवाय ॥५॥

Yajnya-Svaruupaaya {Yakssa-Svaruupaaya} Jattaa-Dharaaya

Pinaaka-Hastaaya Sanaatanaaya |

Divyaaya Devaaya Dig-Ambaraaya

Tasmai Ya_Kaaraaya Namah Shivaaya ||5||

Meaning:

5.1: (Salutations to Lord Shiva) Who is the embodiment of Yagna {or Who assumed the incarnation of Yaksha} and Who bears the Matted Hairs,

5.2: Who has the Trident in His Hand and Who is Eternal,

5.3: Who is Divine, Who is the Shining One and Who has the Four Directions as His Clothes (signifying that He is ever Free),

5.4: Salutations to that Shiva, Who is represented by syllable “Ya”,

The fifth syllable of the Panchakshara Mantra “Na-Ma-Shi-Va-Ya”.

पञ्चाक्षरमिदं पुण्यं यः पठेच्छिवसंनिधौ ।

शिवलोकमावाप्नोति शिवेन सह मोदते ॥६॥

Pan.caakssaram-Idam Punnyam Yah Patthe-Shiva-Samnidhau |

Shivalokam-Aavaapnoti Shivena Saha Modate ||6||

Meaning:

6.1: Whoever Recites this Panchakshara Stotram (Hymn in praise of the five syllables of Na-Ma-Shi-Va-Ya) near Shiva (Lingam),

6.2: Will Attain the Abode of Shiva and enjoy His Bliss.

#sooryagayathri #sooryasangeetham #sooryagayathribhajans  #sooryagayathribhajan #sooryagayathriofficial #sooryagayathrisongs 

Sankshepa Ramayanam: The Essence of Valmiki’s Epic

Ramayanam, an ancient Indian epic, holds the distinction of being the world’s greatest epic, comprising nearly 24,000 verses scripted by the venerable Maharshi Valmiki. Within this colossal narrative, the inaugural chapter of the first kanda, famously known as the Bala Kanda, unveils a condensed version named Sankshepa-Ramayanam. This abridged retelling encompasses 100 verses, granted a status equivalent to the complete Ramayana, as evidenced by its phalashruti—a testament to its profound significance.

Sankshepa-Ramayanam traces its roots to a pivotal encounter between Narada Muni and Valmiki Maharshi. In this enlightening chapter, Narada Muni imparts a concise account of Rama’s life to Valmiki, subsequently urging the sage to chronicle the epic journey of Rama. This pivotal moment sets the stage for the creation of a literary masterpiece that transcends time and resonates with readers across generations.

The condensed nature of Sankshepa-Ramayanam, encapsulating the essence of the grand Ramayana, makes it an ideal choice for those seeking a succinct yet profound understanding of Rama’s narrative. Its elevated status, reflected in its phalashruti, underscores its importance and influence. This chapter serves as a gateway for individuals to connect with the timeless wisdom and moral teachings embedded in the Ramayana.

Remarkably, the tradition of reciting Sankshepa-Ramayanam endures even in contemporary times. Many households observe the ritual of chanting these 100 verses on a daily or weekly basis, emphasizing the enduring relevance of Rama’s story in people’s lives. The verses serve as a source of inspiration, moral guidance, and spiritual connection for those who engage in this ritual.

PM Modi’s Recognition of Soorya Gayathri: A Spotlight on Indian Youth and Spiritual Music


After Prime Minister Narendra Modi’s tweet featuring Sooryagayathri’s Ram bhajan, News18 channel conducted an insightful interview with the talented artist.

In this captivating video, Sooryagayathri shares her musical journey, highlighting her father’s pivotal role as her first guru and the profound influence of M.S. Subbulakshmi on her musical passion. She graciously treats the audience to snippets of her renditions, including the Hanuman Chalisa (her inaugural YouTube video) and Raghavashtakam, a verse by Adi Shankaracharya, for which she has composed a melodious and delightful musical arrangement. Visit this other site of mine to know more about Sooryagayathri: https://www.sooryagayathri.net/

Visit this page to view the tweet by PM Modi: Hanuman Jayanthi 2024 | Significance of Anchaneya | Ayodhya Ram Mandir Updates And Miracles

Observe the sheer joy radiating from her face! Sooryagayathri, may this infectious happiness remain a constant companion on your journey. Your musical prowess continues to inspire and bring joy to countless admirers.

Hanuman Jayanthi 2024 | Significance of Anchaneya | Ayodhya Ram Mandir Updates And Miracles

Greetings, dear readers!

I registered this blog in WordPress on January 10, 2014. Yesterday was the 10th anniversary of this blog. First, I want to take this time to thank everyone who supported my blog and work for the last decade. Having said that, I want to extend my heartfelt wishes for Hanuman Jayanthi to you all.

Join me in this enlightening video where I delve into the profound significance of Hanuman, the revered deity known for his unwavering devotion and incredible strength. This video aims to not only educate but also inspire a deeper connection with the divine, fostering a sense of positivity and strength in your life. Don’t miss out on this opportunity to gain insights into the spiritual realm and embrace the blessings that Hanuman Jayanthi brings. Hit play and embark on a journey of enlightenment and joy! Wishing you all a blessed and Happy Hanuman Jayanthi! 🙏✨

As I mentioned in the video, on this auspicious day, our honorable Prime Minister tweeted Sooryagayathri’s music video.

A Gift for Every Seeker: Exploring the Timeless Teachings of Bhoothanatha Geetha

Concealed within the ancient Sanskrit tales lies a precious script known as Bhoothanatha Geetha. This brief yet profound text, attributed to Prince Manikanta, unfolds the fundamental ideas of Advaita Vedanta in a conversation with King Rajasekharan.

Back in 2018, I penned a detailed commentary on this book. However, given its length, I’m offering you a condensed introduction.

Simplified Sanskrit:

In contrast to its older counterpart, the Bhagavad Gita, Bhoothanatha Geetha imparts its teachings in simpler Sanskrit, making it accessible to a broader audience. Even with basic knowledge, one can grasp the profound verses. Take, for instance, the opening sloka:

“janma mrtyAdi duhkhAnAm nAzAya mahIpate karmano nAzanam mukhyam tadupAyam nizamyatAm”

Translation: “Oh King, destroying one’s karmas is important for the destruction of the suffering that arises from the cycle of birth and death. You can hear the way for it from me.”

A Conversation about Truth:

Much like the Bhagavad Gita, Bhoothanatha Geetha unfurls through a captivating dialogue. Prince Manikanta, embodying both spiritual wisdom and princely grace, guides King Rajasekharan towards self-realization. Their exchange delves into crucial Advaita Vedanta concepts:

  • The nature of Brahman: The ultimate reality, Brahman, transcends form and attributes. The text beautifully illustrates this using the analogy of gold and ornaments, explaining that just as all ornaments are essentially gold, so too are all names and forms manifestations of the one, indivisible Brahman.
  • Maya’s illusion: This subtle veil of misconception obscures our true nature. Manikanta skillfully dispels this illusion, revealing the “I” and “mine” as mere concepts superimposed on the ever-present Brahman.
  • The path to liberation: Bhoothanatha Geetha emphasizes the importance of a true teacher (satguru) and warns against the pitfalls of mere intellectual pursuits, advocating for sincere devotion and self-inquiry.

Beyond the Similarities:

While drawing inspiration from the Bhagavad Gita, Bhoothanatha Geetha offers unique insights into Siddha wisdom and practical spirituality:

  • Siddha wisdom: Manikanta’s possible connection to the Siddhas shines through in his detailed discussions of tattvas (elements of consciousness) and the purification of the mind.
  • Practical spirituality: Acknowledging worldly responsibilities and desires, the text encourages a balanced approach, urging not to neglect the body but to utilize it as a vehicle for liberation.

A Gift for Every Seeker:

Whether you’re a long time seeker or a curious newcomer, Bhoothanatha Geetha offers a wealth of wisdom. Its simple language, engaging dialogue, and practical guidance make it a valuable resource for those seeking self-realization. Delve into its verses, contemplate its teachings, and embark on your transformative journey towards eternal truth.

Visit this link for a detailed commentary on Bhoothanatha Geetha.

From Bhagavad Gita to Bodybuilding: A Spiritual and Physical Journey

Arjuna possessed a well-developed physique and considerable strength, inheriting the warrior genes. He likely underwent various ancient methods of crossfit training, strength training, archery, martial arts, and other disciplines. His societal duty was evident: in times requiring the safeguarding of the clan, land, and kingdom, individuals of his caliber were expected to step forward and contribute to warfare if it became the sole recourse.

The entire Bhagavad Gita is a conversation that transpired between Arjuna and Krishna on a battlefield. Arjuna, reluctant to participate in the war, hesitated to fight against his own family members and gurus. Consequently, he dropped his bow and arrow, expressing his unwillingness to engage in combat. Krishna, in response, reminded him of the circumstances, and the dialogue swiftly evolved into a spiritual discourse, giving birth to the Gita.

I grasped the significance of the Gita only after my personal encounter with non-duality, which permanently altered the way I navigate the world. In my quest for scientific explanations for these experiences, I have already authored a book bridging science and spirituality. The Gita stands out as the first scripture discouraging people from abandoning society and embracing sannyas; it was the pioneer in revealing that spiritual enlightenment, self-realization, or jivanmukti is attainable without renouncing the world. In the Gita, Arjuna contemplates renouncing the world, but Krishna reminds him of his duties and encourages him to participate in the war. Meanwhile, Krishna imparts to Arjuna the profound secrets of spirituality.

I brought up this topic because sometimes people misunderstand spirituality. It is not about reducing your participation in the world and society and seeking solitude forever. Advaita Vedanta differentiates between paramarthika satya or Absolute reality and vyavahaarika satya or Relative and practical reality. The reason this is defined is to prevent people from sticking to one extreme in their spiritual journey.

In general, identification with one’s body is considered a barrier in the spiritual journey. But that doesn’t mean that one should ignore the body and not take care of it. In fact, it is a person’s duty to take care of the body because it is a gift of nature. It has to be handled with a lot of responsibility. If you are a fitness enthusiast, practicing karma yoga is easy. And that is where the connection between the Gita and bodybuilding comes.

This blog is about well-being in life; it is about discovering the ultimate potential of human life. I document the truths that I come across in my journey to discover things through experience, and these truths are related to both physical and mental well-being. 

I am going to focus more on physical well-being in the upcoming days because physical well-being also contributes to mental well-being. Additionally, we can bring mindfulness into your fitness journey. I will soon discuss mindful eating and mindful workouts, where your fitness-related activities can be transformed into meditation or spiritual sadhana.

There is much more to share, so stay tuned and await my next blog post. If you wish to support me financially, it will empower me to do even more. Consider making a donation if you want to be a part of this journey and lend me a hand:  https://shanmugamp.org/donate/

Sooryagayathri’s Bhairavi Shatakam – A failure

First of all, I am sorry about this post. I am a huge fan of Sooryagayathri. But I am not a fan of the modern society which has no clue on how to deal with life. They fall for fake gurus; And sometimes fake gurus and ignorant babas like Jaggi Vasudev create a lot of negative influence in the society. And this negative influence affects great divine artists like Soorya.

I want to ask a question to the Sooryagayathri’s team on the new release ‘Bhairavi Shatakam’.. Who gave this stupid idea? Calm down.. I will explain why this idea is ignorant and stupid.

Another question.. For every video of yours, you have promptly mentioned the author of the lyrics. But you didn’t mention the author of the lyrics for Bhairavi Shatakam. Why? Because, you don’t know.

Let me clarify.. There is nothing called ‘shatakam’ in the first place. Shatkam is a poem that has 6 stanzas. And ashtakam has a poem that has 8 stanzas. Is this clear enough?

Adhi Shankaracharya composed a poem called Rajarajeshwari Ashtakam. It has 8 stanzas. The verses are given below:

अम्बा शाम्भवि चन्द्रमौलिरबलाऽपर्णा उमा पार्वती

        काली हैमवती शिवा त्रिनयनी कात्यायनी भैरवी  .

सावित्री नवयौवना शुभकरी साम्राज्यलक्ष्मीप्रदा

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. १..

अम्बा मोहिनि देवता त्रिभुवनी आनन्दसंदायिनी

        वाणी पल्लवपाणिवेणुमुरलीगानप्रिया लोलिनी  .

कल्याणी उडुराजबिम्ब वदना धूम्राक्षसंहारिणी

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. २..

अम्बा नूपुररत्नकङ्कणधरी केयूरहारावली

        जातीचम्पकवैजयंतिलहरी ग्रैवेयकैराजिता  .

वीणावेणु विनोदमण्डितकरा वीरासने संस्थिता

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ३..

अम्बा रौद्रिणि भद्रकालि बगला ज्वालामुखी वैष्णवी

        ब्रह्माणी त्रिपुरान्तकी सुरनुता देदीप्यमानोज्वला  .

चामुण्डा श्रितरक्षपोषजननी दाक्षायणी वल्लवी

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ४..

अम्बा शूलधनुः कशाङ्कुशधरी अर्धेन्दुबिम्बाधरी

        वाराहीमधुकैटभप्रशमनी वाणी रमासेविता  .

मल्लद्यासुरमूकदैत्यमथनी माहेश्वरी चाम्बिका

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ५..

अम्बा सृष्टविनाशपालनकरी आर्या विसंशोभिता

        गायत्री प्रणवाक्षरामृतरसः पूर्णानुसंधी कृता  .

ओङ्कारी विनतासुतार्चितपदा उद्दण्ड दैत्यापहा

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ६..

अम्बा शाश्वत आगमादिविनुता आर्या महादेवता

        या ब्रह्मादिपिपीलिकान्तजननी या वै जगन्मोहिनी  .

या पञ्चप्रणवादिरेफजननी या चित्कला मालिनी

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ७..

अम्बापालितभक्तराजदनिशं अम्बाष्टकं यः पठेत्

        अम्बालोलकटाक्षवीक्ष ललितं चैश्वर्यमव्याहतम्  .

अम्बा पावनमन्त्रराजपठनादन्ते च मोक्षप्रदा

        चिद्रूपी परदेवता भगवती श्रीराजराजेश्वरी  .. ८.

Isha foundation, a dangerous cult organization that I have been writing about many years in this blog did something interesting.

Linga Bhairavi, is a so called consecrated structure in Isha foundation and in the name of donation for this consecration they collected millions.

They wanted a verse for this Linga Bhairavi, a commercial goddess who can stay in your house if you pay lakhs of rupees for the so called Linga Bhairavi Yantra.

First they removed the 3rd verse and 8th verse from the original Rajarajeshwari Ashtakam composed by Sooryagayathri’s beloved Adhi Shankaracharya. And they changed the verses in the rest of the poem.

In the beginning of each stanza of the original composition, they replaced the word ‘amba’ with the word ‘bhairavi’. Then they replaced the last word ‘Sri Raja rajeshwari’ with ‘Sri Linga Bhairavi’.. How clever?

Dear Sooryagayathri and team,

One question to you. Is it fair to alter the original verse composed by Adhi Shankaracharya for an organization’s commercial purpose? And it is fair to sing this commercial version instead of the original version?

I have not asked an illegal question. So I hope you take this post positively.

Harmonious Gratitude: Celebrating ‘Vasudhaiva Kutumbakam’ and the Musical Legacy of Sooryagayathri and Kuldeep M Pai

This post is a thank you post for the music video ‘Vasudhaiva Kutumbakam’ created as a part of ‘Vande Guru Paramparaam’ – A Spiritual Musical Series. 

 I hold deep admiration for Sir Kuldeep Pai, the guiding force behind Sooryagayathri’s remarkable journey. His mentorship has nurtured her exceptional talent. I closely follow his endeavors. Undoubtedly, this creation stands as a masterpiece by Kuldeep Pai. Anticipation builds as I await the privilege of hearing this rendition in Sooryagayathri’s own melodic voice. Heartfelt gratitude for your invaluable contribution to the betterment of humanity.

A song with a similar theme called ‘Maithreem Bhajatha’ was produced, Directed, Recorded, Mixed, Mastered, Video Edited & Transliterated by Kuldeep M Pai as a part of ‘Vande Guru Paramparaam’ – A Spiritual Musical Series’. Sooryagayathri and Rahul Vellal were also a part of the song crew that made this happen. Raghuram Manikandan, another excellent vocalist, has also performed with Sooryagayathri before.

After seeing the hard and passionate work of Kuldeep Pai sir, I am impressed and also want to thank him for doing his work..

Presenting “Vasudhaiva Kutumbakam” in the enchanting Ragam of Tilang. The graceful lyrics are penned by Sri V. Sadasivan, with the soulful music composition crafted by Kuldeep M Pai. This melodic masterpiece is eloquently rendered by the voices of Rahul Vellal, Kuldeep M Pai, and Raghuram Manikandan. The intricate tapestry of live percussions and melodic arrangements is skillfully woven by Ganapathi, while Lalit Talluri’s flute adds an ethereal dimension to the composition.

Recorded at Chith Studios, the visual magic is captured by Sathya’s cinematography. The creative support and translation come courtesy of Sharanya Bharathwaj, with linguistic guidance provided by Smaran Haridashwa. Heartfelt appreciation is extended to Dr. Sheela Unnikrishnan, Harinie Jeevitha, Anoop Dev, and Aparna Pai for their invaluable contributions.

The Journey Of A Lover – Chapter 1

 “The most extraordinary people in the world do not have careers. What they have is a calling” 

– From the book ‘The Code of the Extraordinary Mind

I haven’t had a fixed job or a healthy career in life for a long time. But I do have a calling that is much more powerful than a job that helps to pay bills or a career which has a clean ladder of professional growth. A calling can go beyond many rules that are determined by the culture or the society; In fact, the sole purpose of a calling may involve questioning some of these rules. 

Mahatma Gandhi’s experiments with truth and the quest for Indian liberation was born out of a calling. The same is true for thousands of scientists who contributed to the scientific world. Many people today live with such a calling and often they have conflicts between what is socially demanded from them and what they actually want to do. They may find it very hard to fit in the society until they find a suitable supportive environment to go on with their mission or the inner calling. 

Ever since I was young, I have been passionate about a few things; those few subjects are very much related to my inner calling. I have felt that I am born to make a difference in these areas:

  1. Poetry, Music and other forms of art.

I grew up reading the poetry of Mahakavi Bharathiyar who has been my main inspiration. I was interested in exploring various meters in Tamil prosody like Venba, Agaval, Virutham etc and I wanted to write poetry in these classical meters. This interest was mainly inspired by Bharathiyar’s poems. I succeeded in using meters for poetry and I developed my poetic skills overtime. 

For some people, (Like Sooryagayathri, my most favorite carnatic singer) M.S. Subbulakshmi is an inspiration for music. Interestingly, M.S. Subbulakshmi and Bharathiyar have something in common. Bharathiyar was born on December 11 and M.S.Subbulakshmi died on December 11.

These coincidences have always caught my attention. I think coincidences are like some kind of synchronization as Carl Jung has observed. They come with messages or signs.

“Jung developed the theory of synchronicity as a hypothetical noncausal principle serving as the intersubjective or philosophically objective connection between these seemingly meaningful coincidences” –  Kerr, Laura K. (2013). “Synchronicity”. In Teo, T. (ed.). Encyclopedia of Critical Psychology. Berlin, Heidelberg: Springer-Verlag.

 I have written more about such coincidences here: https://shanmugamp.org/2019/09/27/some-amazing-coincidences-regarding-religious-tolerance/ (By the way, Osho, my spiritual inspiration was also born on December 11th. Most importantly, my son from my divorced wife was also born on December 11th. It doesn’t end here. My ex wife remarried on December 11th). 

I feel sad to see that poetry as an art is dying today. In ancient times, poetry preserved all the accumulated knowledge. People preferred metrical verses to record knowledge as they are easy to memorize and serve as great mnemonic devices. After all,most of our famous Vedic verses are in the form of poetry. But its importance and utility is not known to people these days. It is especially true with metrical verses, since free verse is getting more popular these days. I wanted to serve  the society by raising awareness about poetry and even teaching the nuances of it, if possible. 

  1. Religion

Religion has always fascinated me. I got a chance to explore various religions as I studied in the schools run by three major religions in India: A Christian School run by a church in my first grade, a Muslim school run by a mosque in 2nd grade, and a Hindu school which is named after one of the Shankaracharyas of Kanchi Kamakoti mutt in my 7th, 8th, 9th and 10th grade. It looks like a design. I feel like I am destined to study in these schools to see how various religions operate.

My main inspiration for religion in early childhood was Ramakrishna Paramahamsa. It was through him I understood that atmajnana/ brahmajnana and moksha are the most important goals of every religion. I also learned that all major religions are different paths to the same destination and all names of God point to the only one truth. The Rig Vedic verse ‘Ekam Sat Viprah Bahuta Vadanti’ became my favorite Vedic verse later in my life. It means ‘ The Truth is one; but it is called by various names by scholars and wise ones’.

I was disappointed by the conflicts and wars that exist between religions. My second book ‘Discovering God: Bridging Christianity, Hinduism and Islam’ was written to address this.

I have been very devotional since my early childhood. Many of my early poems were devotional poems. Later, I went through many spiritual experiences that changed my life; I will tell you more about them later in this article.

3) Science

Science has fascinated me as much as religion did. I have developed strong skeptical and critical thinking due to my exposure to science. In 9th grade, I was a main participant among a four membered team in science quizzes conducted by science center, Tirunelveli. I have been an atheist during my late teens for sometime as I lost the trust that religion is useful in any way in the modern world. My favorite scientist is Albert Einstein. He was my main inspiration.

The conflicts between science and religion were very obvious to me. Due to my earnest desire in finding out the truth, I wanted to resolve this issue by bridging science and spirituality. One of my ambitions or interests those days was to become a scientist.

Even though I forgot most of the science that I learned in high school, I know how science and scientific method works. One of my main concerns in recent years was about the fact that pseudoscience is very dominant and how it is very easy to fool people with fancy scientific terms. I am both open minded and skeptical at the same time. I wanted to see what we have in common among the findings of scientists and the enlightened sages of our ancient world. This motivated me to write my first book ‘The Truth about Spiritual Enlightenment: Bridging Science, Buddhism and Advaita Vedanta’ which is still selling and earning me royalties.

4) Society

I am going to talk about something that is least addressed in today’s world but which is also most important to understand if you really want to live a life that you have been created for. The issue that I saw in society made me angry. If this issue is recognized and addressed, most of the problems in the society can be addressed.

Do you remember one of the questions that you have been asked when you were a child? This is especially true if you are born in a country like India in the 1980’s and 1990’s. Teachers and parents often ask you, ‘When you grow up, do you want to become a doctor or an engineer?’

Why didn’t they give me all the available options? What if I want to become a poet or a singer? Obviously, those people wanted us to get the most respected and high paying jobs in the society. We were rarely encouraged to find our own passions.

I realized that I was much different than other people. I was always jumping from one interest to the other and I was more interested in exploring everything that the world has to offer. So obviously I was a very active child. My attention was switching often as I know that the world is so big and I can’t choose something right away just because the society dictated us to do so.

Did you notice that I mentioned the words ‘attention’ and ‘activity’ in the previous paragraph? Those words are important. There are many children in today’s world who show hyperactivity and also find it difficult to pay attention because of the overwhelming amount of attention grabbing stuff in the modern world. It is actually a healthy trait. But if you take such a child to a psychiatrist, a lot of them will diagnose them as the children having ADHD or ‘Attention deficit hyperactivity disorder’. That is a tragedy!

Recently, scientists are talking about how ADHD is not really a problem but actually a personality trait. There is a great amount of diversity among how the nervous systems of people function. It is also found that people who are diagnosed as ADHD patients simply have a different kind of nervous system which makes them motivated by interest rather than importance. Dr. Hallowell and Dr. Ratey coined a new name for ADHD and called it as VAST, which stands for Variable Attention Stimulus Trait.

Modern society has been created by having most of the neurotypical people in mind. But for people who are neurodiverse, this society is a problem; they have difficulty to fit in and perform according to the social demands. But it is not their fault. They are simply born for something different. In today’s society, such people are forced to follow the formula that everyone is following : 

Study and get good grades, get a good degree that has a lot of scope for a high paying job, get a high paying job, earn a lot of money, give birth to children, and die!

Do you see the problem? 

Here, I want to say more about the concept called svadharma mentioned in Bhagavad Gita. It is one of the most misunderstood concepts in religion. Since, Svadharma and Varna are discussed together, people think that Svadharma depends on the Varna one is born in. But in reality, a person’s Svadharma is nothing but the uniqueness, personality and interests which are determined by nature or genetics and by the nurture or one’s personal  experiences in life. 

Let us look at the 35th verse of the 3rd chapter in Gita (Transalation taken from https://www.holy-bhagavad-gita.org/chapter/3/verse/35) :

श्रेयान्स्वधर्मो विगुण: परधर्मात्स्वनुष्ठितात् |

 स्वधर्मे निधनं श्रेय: परधर्मो भयावह: || 35||

śhreyān—better; swa-dharmaḥ—personal duty; viguṇaḥ—tinged with faults; para-dharmāt—than another’s prescribed duties; su-anuṣhṭhitāt—perfectly done; swa-dharme—in one’s personal duties; nidhanam—death; śhreyaḥ—better; para-dharmaḥ—duties prescribed for others; bhaya-āvahaḥ—fraught with fear

Meaning: It is far better to perform one’s natural prescribed duty, though tinged with faults, than to perform another’s prescribed duty, though perfectly. In fact, it is preferable to die in the discharge of one’s duty, than to follow the path of another, which is fraught with danger.

………..

The word duty here means the type of life that nature assigns to you. By doing introspection and discovering your true passion, strengths, weaknesses etc, you can see what kind of life or career is ideal for you.

This is one of the important messages of Gita. When people choose a career which suits their passion and interest, we will have qualified people everywhere to do their jobs. We need to see a world without class differences in order to accomplish this. A person who is picking up garbage in streets deserves to be paid as much as a doctor who cleans a person’s stomach gets paid. Both are cleaning something and bringing a cure to the society anyway. 

When that becomes a reality, the world will become a better place. Since all jobs are equally valued and since each one find s a job according to their own svadharma, everyone will naturally do their job well. That will be a kingdom of heaven on earth!

I want to end this chapter by quoting a poem by Robert Frost. It is one of my favorite poems:

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.

  • To be continued….